tag:blogger.com,1999:blog-7724580721888391341.post4923157772423141646..comments2024-02-16T22:51:28.125-08:00Comments on HAT LIEBERMAN: STUFF I'VE LEARNED ABOUT STORYBOARDING: EPISODE #4Josh 'Hat' Liebermanhttp://www.blogger.com/profile/01474257989684670800noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-7724580721888391341.post-26834924980472354872010-11-17T10:07:24.918-08:002010-11-17T10:07:24.918-08:00great stuff Josh! I love to read your tip sheets.....great stuff Josh! I love to read your tip sheets...<br /><br />and I do want a gold star.Daniel Huertashttps://www.blogger.com/profile/00295648347316151877noreply@blogger.comtag:blogger.com,1999:blog-7724580721888391341.post-81952419972609063022010-11-10T17:25:12.425-08:002010-11-10T17:25:12.425-08:00You are very talented and smart. Would have never...You are very talented and smart. Would have never known that "motivating the camera" - even was a tool/instrument. Just thought it was a flow of sequence.Danihttps://www.blogger.com/profile/10443935305702694420noreply@blogger.comtag:blogger.com,1999:blog-7724580721888391341.post-56333097005192088002010-11-10T10:11:22.369-08:002010-11-10T10:11:22.369-08:00Very good info, thanks for posting this. One quest...Very good info, thanks for posting this. One question, if in example 1 you'd already established the shot of the plate of food and it's spacial relationship to the guy (prior to that first shot in the board), would you still feel the need to motivate the cut with the guy looking downwards? So, for example, if after eating that piece of bacon, he reached down for something else on the plate, would you again use him looking down to guide the audience?Casey Crowehttps://www.blogger.com/profile/00625970171551706843noreply@blogger.com